Duke University, a leading consciousness researcher, writes, “Evidence strongly suggests that humans in all moving to a new country narrative essay come to cast their own identity in some sort of narrative form. Stories are an important aspect of culture. Nevertheless, there is a clear trend to address literary narrative forms as separable from other forms.
How is it manifested as art, cinema, theater, or literature? It has been proposed that perspective and interpretive knowledge are the essential characteristics, while focalization and structure are lateral characteristics of the narrator. A writer’s choice in the narrator is crucial for the way a work of fiction is perceived by the reader. Intradiagetic narrators are of two types: a homodiegetic narrator participates as a character in the story. Such a narrator cannot know more about other characters than what their actions reveal. A heterodiegetic narrator, in contrast, describes the experiences of the characters that appear in the story in which he or she does not participate.
A third-person omniscient narrator can be an animal or an object, or it can be a more abstract instance that does not refer to itself. For stories in which the context and the views of many characters are important, a third-person narrator is a better choice. A writer may choose to let several narrators tell the story from different points of view. Then it is up to the reader to decide which narrator seems most reliable for each part of the story.